While parts of Oakmont lie in complete ruins, the people continue on their journeys, unfazed by the disgusting water, murky monsters and overall post-apocalyptic nature of the place.
While some look interesting, many are just filling the place up and taking away from the spooky atmosphere, rather than enhancing it.īut there are some which offer a little relief and include some cracking voice lines for those who want to be a little grossed out.
The crowds found on the streets of the city change as you progress through the game but they never grow beyond the point of being walking fixtures. The city has been flooded and partly submerged and destroyed, leaving you with ruins to explore and abandoned buildings to visit.Ī lot of the time you will use a boat to chug around the place, with the water below always feeling just a point beyond dangerous.īut while the backdrop of Oakmont works to a good degree, the NPCs filling it are another matter. The world of Oakmont is a great place to explore, albeit in small bursts. Given the right plot points and setup, The Sinking City can feel like a great way to explore an interesting tale that delves deep beneath the waves.īut sometimes, areas of The Sinking City don’t add up in the right way, leaving you feeling more frustrated than vindicated. Once you're done, easily share it with friends and foes alike across social networks.Ĭan't find your game? Suggest a game or vote for it on our Ideas portal.The people of Oakmont island are not friendly and while they appear two-dimensional, some have hidden depths. Grab the clips you love most, give it a quick trim if you like, or move to the video editor to combine them into an epic collage. See the best (and not so best) moments, review your APM speed, and relive the game. Once the match is over, you can flip through your captured clips in the match timeline. While playing, the app automatically captures your best moments and biggest plays, as well as manually recording on demand. Outplayed is the ultimate video capturing app for gamers.
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